This is one of the very well composed pictures (how Meisel used to do).
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg09Q0mNpNCvh8HlRqAl4cp_tDoT8YCJE0NtcXeL7xxWGVZRiWSI_NfemcaaBNd5uPSUY3X9VpMa3hW2Fok_zsbJnI8ryDXFzEp5HLOuSuzbTFTkx2WzrQUGfrF94IUQ9V0nwKvIMOxUOE/s400/meisel-century.jpg)
It reminds me of the painting "Lilacs" (c. 1875) by the French painter James Jacques Tissot (1836-1902). Maybe this wasn’t intended by Meisel. But anyway, it’s not only the similar pose and the flowers, it’s the same cool arrangement of luxury, the perfection of both pictures.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK593yknGmTOzlm5-Lz0kYkQIsjO6CZP1u5S2rziSwH7mlhHzVdxQ8wCxZ87W65M0CRglGt3_ho80iykTm2JexV6nLr2ziGml-nsW21TntWCOTq4Fo9_vhtp5SDwEzWNB_7d16CB8sXc0/s400/Tissot_lilacs.jpg)
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