This is one of the very well composed pictures (how Meisel used to do).
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It reminds me of the painting "Lilacs" (c. 1875) by the French painter James Jacques Tissot (1836-1902). Maybe this wasn’t intended by Meisel. But anyway, it’s not only the similar pose and the flowers, it’s the same cool arrangement of luxury, the perfection of both pictures.
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